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This Thursday, October 16, 2014 Kettle Art proudly presents extremes in photography with two openings in one night!
Justin Terveen will unveil ‘New Works’ in Gallery A, featuring recent ‘Dallas Heavy’ photographs and more.
Few artists have captured the beauty of a cityscape, or the hearts of adoring fans, quite like photographer Justin Terveen has done in Dallas.
Terveen’s breathtaking images of the skyline are found within countless blogs and publications across the internet, and in numerous private and corporate collections. When USA Today’s readers voted Dallas as Readers’ Choice for 2014 Best International Skyline, it was due in large part to Terveen’s iconic images.
Richard Andrew Sharum‘s ‘In the Heart’ featuring street photography from around the world, opens in Gallery B.
Richard Andrew Sharum debuts his compelling series documenting the often obscure landscape of urban spaces around the world and the inhabitants of these areas. Sharum’s images depict the contrast between flesh and architecture, the fragility of life juxtaposed with formidable concrete structures, and the light that both illuminates and deepens the shadows between them.
In recognition of Sharum’s work on the series abroad, he was selected among international applicants for the Magnum Photos (Paris) Masterclass with Jonas Bendiksen during HOST at FOTOGRAFIA EUROPEA 2014 in Reggio Emilia, Italy, and for the Magnum Photos (New York) Masterclass with Moises Saman and Abbas in Sao Paulo, Brazil. Both resulted in public exhibitions of his work in each respective city.
In Summer of 2014, Sharum launched “Observe Dallas”, a public installation project aimed at encouraging observers of anonymously placed photographs within the Downtown area to interact with their surroundings in unique ways.
“Observe Dallas” press:
Chrissi Chetwood, “A Fresh Perspective”, Central Track, September 8, 2014 http://centraltrack.com/Culture/5689/A-Fresh-Perspective/An-Anonymous-Photographer-Is-Turning-Downtown-Into-An-Art-Gallery-Posting-Photos-Without-Permission
Richard Andrew Sharum is a Dallas-based photographer whose range varies from documentary photojournalism to abstract minimalism. Sharum’s work is included in several private and public collections across the country. Commissions include those by The Meadows Foundation, Harvard Law School, Children’s Medical Center (Oncology), Children’s Cancer Fund, Angel Flight, Notre Dame School for the Mentally Ill, and Austin Street Homeless Shelter, among others. Publications include D Magazine, International Business Times Weekly (New York), The Wall Street Journal, The Dallas Observer, and The News-Register.
Please join us for this rare opportunity to meet the photographers and view their new works at the opening reception on Thursday, October 16, 7-10:00pm, at Kettle Art Gallery, 2650-B Main St., Dallas. The exhibit runs through Saturday, November 1.
Calling all photographers! We want your photos of Deep Ellum for our next exhibit.
Here’s how the challenge works:
Sign-up at Kettle: any of the following days/times: Thursday, September 25, 7-10pm; Friday, September 26, 7-10pm; or Saturday, September 27, 2-10pm.
Mission: Capture Deep Ellum in one definitive image, shot at anytime between Thursday, September 25 through Sunday, September 28.
Device: Any of your choice, including DSLR, 35mm, Holga, Polaroid, point-and-shoot, cell phone (Instagram, etc.)
Submission: Drop off one image, printed in any size up to 18×24, on any medium, at Kettle on Monday evening, 7-9pm. Framing and matting are encouraged, but not required.
Judging: 1st, 2nd, and 3rd place will be awarded by a jury of professional photographers.
Exhibit: Opening reception on Thursday, October 2, 7-10pm. The exhibit runs through Saturday, October 11.
Runs through – Saturday, April 13
Kettle Art is located at 2714 Elm, Deep Ellum Texas, 75226
Hours: 7:00 – 10:00 p.m. Thursday – Saturday
Opening Reception – 3.7.13 7pm-10pm
Show runs through 3.23.13
About the Artist:
Derek Rankins pays homage to his roots in rural Southeastern Kansas. In 2004 he worked as a lab technician for the last remaining Kodachrome processor until which he moved to Texas to pursue a photography career. In 2006, Rankins received his Bachelors in Photography from Texas A&M University-Commerce and began developing his personal work over the next five years. Derek is now pursuing his Master of Fine Arts degree in Photography at the University of North Texas in Denton with an expected graduation date of May 2013.
About the Work:
“The Part and The Whole” is a visual representation of how I interpret my surroundings and how I interact with these parts of culture. It is a comprehensive collection of miscellanea and explores the possible narratives that take place. As I have attempted to visualize the sum of its parts, I have come to see that there is no whole, that the parts are infinitely divisible.
It’s a funny thing…
Here we all thought that “New Blood. Old Money.” had come and gone, but alas, it’s not true. There is still life in this “old” show. Those in power have given it a reprieve & it will be up a little while longer!
How long you may ask?
Well, we at Kettle aren’t sure quite yet.
However, until we can arrive at a date for the closing reception for this wonderful show, we thought we should introduce the artists who have given of their talents so this show could come into existence.
We start this experience by bringing you a quick virtual sit-down with Ange Fitzgerald.
For those who don’t already know, Ange is an accomplished photographer who has graced the walls of Kettle in the past. Today, we are celebrating the work she is currently sharing with us.
And trust me, it is beautiful.
So without further delay, Kettle is proud to bring you this little conversation with Ange Fitzgerald.
Then, in early 2010, Frank asked me if photopolus would be interested in curating / producing a show. (photopolus, a photo blog co-founded by myself and Andrea Roberts, was named “best camera club” by the Dallas Observer last year). “18 Photographs” opened in March and featured work by myself, Andrea Roberts (my partner on the blog), Andrew Shepherd, Justin Terveen, Daisy Yokley & Wendy Woodruff Wezensky.
I’ve worked together with Clint Scism, the curator of the current show, “New Blood, Old Money” on several projects in the past, most memorable being Collision – a yearly art/music show that we co produced every winter, although we skipped last year because I was living in Pittsburgh. We hope to revive it this year.
New Works by:
Loretta Gonzalez | Claudia Rivera | Emily Don Juan | Alice Lomas
May 26 – June 16, 2011
Kettle Art will feature Dallas artists Loretta Gonzalez, Claudia Rivera, Emily Donjuan and Alice Lomas with an upcoming exhibit titled “Dark & Lovely.” Meet and greet with the artists during a reception from 7-10 p.m. May 26, 2011. Admission is free and cocktails will be provided.
You can enjoy this work during Kettle’s open hours of 7-10 p.m. Thursday-Saturday until June 16, 2011. For more info, or questions, please contact Erica Felicella at email@example.com.
Below is more information on each artist, in their own words.
Dallas Artist & Designer
My current series of work illustrates AMOUR in different settings using a dark, evil cupid and a bright, good cupid in a pop surreal style.
My dark cupid series of paintings are strongly influenced by Dark Romanticism and Vanitas, by illustrating lust, hate, evil, sacrifice, death and the emptiness and meaninglessness of earthly life, as well as excessive vanity. I frequently show the dark cupid heart breaker individual, failing in her attempts to make changes for the better good, and is prone to sin and self-destruction. The paintings are executed with my own twist of these influences to show the sinful pleasure, and the certainty of death and mystery.
My lovely good cupid paintings are the complete opposite. I illustrate her very bright, joyful, and peaceful with a little hummingbird pet to symbolize love, joy and beauty. Hummingbirds are always seeking the sweetest nectar, and should remind us to forever seek out the good in life and the beauty in each day. The paintings are executed by illustrating the good cupid with a hummingbird consciousness, to show the truth of inner beauty and life, like a delight wonderland of flowers.
The title of my current series is I LOVE YOU TO DEATH. I am compelled to bring light to the subject matter of infanticide. As a mother I found this subject matter difficult to work on. Every year, four hundred mothers kill their children, and it is becoming easier to be desensitized. I found myself writing the names of the children on the side of the paintings as a way to remind myself that these are real children. The titles of the paintings are in memory of the children murdered. I use the metaphor of the teddy bear as a universal symbol to represent the child and the children in this series represents the mothers committing the act of murder. The soft colors are meant to draw you in for a closer look, revealing the message of cute and cuddly but deadly.
Dallas Artist & Photographer
For my current series of work I took pictures with a camera phone and really liked what I saw in them. Some had a painterly quality, while others had a certain charisma. The pictures themselves were of very bad quality and could not make too much on their own, so I decided to make paintings out of them. I started by making small drawings from the pictures, and eventually the drawings took a life of their own.
One may ask, “Why camera phone pictures?” Well, with pictures taken with a camera phone, people tend to be more relaxed and show you what they are really like. The pictures are spontaneous, some dark, some silly, intimate, serious, everything one could possibly imagine. Most of my camera phone pictures are portraits and are taken during my everyday life. Each of the images I choose has a memory of a place I remember, time, and context in which the pictures were taken.
Camera phone pictures are very personal. When one takes a picture with a camera phone, its main purpose is to be seen in a tiny little screen of a phone, as wallpapers, or just to remember a particular moment in time. My work, whether a painting, drawing, or photograph, takes them out of that context and exposes them to the world.