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7522-Pix

 

Calling all photographers! We want your photos of Deep Ellum for our next exhibit.

Here’s how the challenge works:

Sign-up at Kettle: any of the following days/times: Thursday, September 25, 7-10pm; Friday, September 26, 7-10pm; or Saturday, September 27, 2-10pm.

Mission: Capture Deep Ellum in one definitive image, shot at anytime between Thursday, September 25 through Sunday, September 28.

Device: Any of your choice, including DSLR, 35mm, Holga, Polaroid, point-and-shoot, cell phone (Instagram, etc.)

Submission: Drop off one image, printed in any size up to 18×24, on any medium, at Kettle on Monday evening, 7-9pm. Framing and matting are encouraged, but not required.

Judging: 1st, 2nd, and 3rd place will be awarded by a jury of professional photographers.

Exhibit: Opening reception on Thursday, October 2, 7-10pm. The exhibit runs through Saturday, October 11.

The Urban Fabric

Kettle Art Gallery is pleased to present “The Urban Fabric: a solo exhibition featuring works by Justin Terveen”. Fresh off his nomination as a finalist in the 2013 Dallas Observer Mastermind Awards, Mr. Terveen continually amazes and delights fans of his work with an unparalleled blend of urban photography and captivating vantage points of the iconic cityscapes of Dallas. Dubbed the Official Photographer Laureate of the City of Dallas, the artist’s solo exhibition promises breathtaking, picture-postcard im…ages reflecting both the familiar and hidden terrain of a uniquely diverse city. “He has a Spidey sense about the weather, and he excels at translating the landscape of Dallas.” – Jamie Laughlin, Culture Editor, Dallas Observer.
 
“The Urban Fabric: a solo exhibition featuring works by Justin Terveen”
Opening Reception – Thursday, March 28
Runs through – Saturday, April 13
Kettle Art is located at 2714 Elm, Deep Ellum Texas, 75226
Hours: 7:00 – 10:00 p.m. Thursday – Saturday
 
Don’t miss the final show at our present location, “Past, Present, & Future: A Gallery Retrospective” opening on April 18 and closing on May 4

The Part And The Whole

Opening Reception – 3.7.13 7pm-10pm
Show runs through 3.23.13

About the Artist:
Derek Rankins pays homage to his roots in rural Southeastern Kansas. In 2004 he worked as a lab technician for the last remaining Kodachrome processor until which he moved to Texas to pursue a photography career. In 2006, Rankins received his Bachelors in Photography from Texas A&M University-Commerce and began developing his personal work over the next five years. Derek is now pursuing his Master of Fine Arts degree in Photography at the University of North Texas in Denton with an expected graduation date of May 2013.

About the Work:
“The Part and The Whole” is a visual representation of how I interpret my surroundings and how I interact with these parts of culture. It is a comprehensive collection of miscellanea and explores the possible narratives that take place. As I have attempted to visualize the sum of its parts, I have come to see that there is no whole, that the parts are infinitely divisible.

It’s a funny thing…

Here we all thought that “New Blood. Old Money.” had come and gone, but alas, it’s not true. There is still life in this “old” show. Those in power have given it a reprieve & it will be up a little while longer!

How long you may ask?

Well, we at Kettle aren’t sure quite yet. 

However, until we can arrive at a date for the closing reception for this wonderful show, we thought we should introduce the artists who have given of their talents so this show could come into existence.

We start this experience by bringing you a quick virtual sit-down with Ange Fitzgerald.

For those who don’t already know, Ange is an accomplished photographer who has graced the walls of Kettle in the past. Today, we are celebrating the work she is currently sharing with us. 

And trust me, it is beautiful.

So without further delay, Kettle is proud to bring you this little conversation with Ange Fitzgerald.

Enjoy …

 

Ange Fitzgerald

Kettle – The name of the current show is titled, “New Blood, Old Money”. So, which are you, “New Blood” or “Old Money”?
 
Ange – I guess I’m “Old Money” … although most of the time I feel more like new blood.
 
$5 Bloodys

$5 Bloodys

 
 Kettle – Since you basically consider yourself “Old Money”, can you tell us how long you have been associated with Kettle Art & what shows you have been involved with in the past?
 
Ange - I first exhibited at Kettle as part of a group show (curated by Havi Frost) called “Bokeh” with Crimson Allen, Jordan Franker, Shanda Kerr & Misty Mayberry in April/May of 2009.
Then, in early 2010, Frank asked me if photopolus would be interested in curating / producing a show.  (photopolus, a photo blog co-founded by myself and Andrea Roberts, was named “best camera club” by the Dallas Observer last year).  “18 Photographs” opened in March and featured work by myself, Andrea Roberts (my partner on the blog), Andrew Shepherd, Justin Terveen, Daisy Yokley & Wendy Woodruff Wezensky. 
I’ve worked together with Clint Scism, the curator of the current show, “New Blood, Old Money” on several projects in the past, most memorable being Collision – a yearly art/music show that we co produced every winter, although we skipped last year because I was living in Pittsburgh.  We hope to revive it this year.    
 
23

23

 
Kettle – How many pieces do you have on exhibit for “New Blood. Old Money.”? Can you tell us a little about each one?
 
Ange - The three pieces I’m showing at Kettle as part of this show were inspired by some time I spent in NYC & Brooklyn last February.  The first is a sign advertising brunch outside Cake Shop on the lower east side. The 2nd is an image of my cousin & I on a photo field trip in Gramercy Park. And the third is the 23rd street subway stop. 
 
Kettle – Where did you find the inspiration for these pieces??
 
Ange - Like I said, they were inspired by time I spent in NYC & Brooklyn. Manhattan is probably my number one source of inspiration and I hope to be back in the city shooting very soon. 
 
Gramercy Park

Gramercy Park

 
Kettle – Where else can one find your work? (online or otherwise)
 
Ange – You can find more of my work installed at Nova in Oak Cliff and at The Free Man in Deep Ellum. Also at www.angefitzgerald.com.
 
“New Blood. Old Money.” is still up & we still aren’t sure when it’s coming down. It will be up at least another weekend or so, so get down to Deep Ellum and see it while you still can. 

New Works by:
Loretta Gonzalez | Claudia Rivera | Emily Don Juan | Alice Lomas
May 26 – June 16, 2011

Kettle Art will feature Dallas artists Loretta Gonzalez, Claudia Rivera, Emily Donjuan and Alice Lomas with an upcoming exhibit titled “Dark & Lovely.” Meet and greet with the artists during a reception from  7-10 p.m. May 26, 2011. Admission is free and cocktails will be provided.

You can enjoy this work during Kettle’s open hours of 7-10 p.m. Thursday-Saturday until June 16, 2011. For more info, or questions, please contact Erica Felicella at info@kettleart.com.

Below is more information on each artist, in their own words. 

Alice Lomas
Dallas Artist & Designer

My current series of work illustrates AMOUR in different settings using a dark, evil cupid and a bright, good cupid in a pop surreal style.

My dark cupid series of paintings are strongly influenced by Dark Romanticism and Vanitas, by illustrating lust, hate, evil, sacrifice, death and the emptiness and meaninglessness of earthly life, as well as excessive vanity. I frequently show the dark cupid heart breaker individual, failing in her attempts to make changes for the better good, and is prone to sin and self-destruction. The paintings are executed with my own twist of these influences to show the sinful pleasure, and the certainty of death and mystery.

My lovely good cupid paintings are the complete opposite. I illustrate her very bright, joyful, and peaceful with a little hummingbird pet to symbolize love, joy and beauty. Hummingbirds are always seeking the sweetest nectar, and should remind us to forever seek out the good in life and the beauty in each day. The paintings are executed by illustrating the good cupid with a hummingbird consciousness, to show the truth of inner beauty and life, like a delight wonderland of flowers.


Loretta Gonzalez
Dallas Artist

The title of my current series is I LOVE YOU TO DEATH.  I am compelled to bring light to the subject matter of infanticide. As a mother I found this subject matter difficult to work on.  Every year, four hundred mothers kill their children, and it is becoming easier to be desensitized.  I found myself writing the names of the children on the side of the paintings as a way to remind myself that these are real children.  The titles of the paintings are in memory of the children murdered.  I use the metaphor of the teddy bear as a universal symbol to represent the child and the children in this series represents the mothers committing the act of murder.  The soft colors are meant to draw you in for a closer look, revealing the message of cute and cuddly but deadly.



Claudia Rivera
Dallas Artist & Photographer

For my current series of work I took pictures with a camera phone and really liked what I saw in them. Some had a painterly quality, while others had a certain charisma. The pictures themselves were of very bad quality and could not make too much on their own, so I decided to make paintings out of them. I started by making small drawings from the pictures, and eventually the drawings took a life of their own.

One may ask, “Why camera phone pictures?” Well, with pictures taken with a camera phone, people tend to be more relaxed and show you what they are really like. The pictures are spontaneous, some dark, some silly, intimate, serious, everything one could possibly imagine. Most of my camera phone pictures are portraits and are taken during my everyday life. Each of the images I choose has a memory of a place I remember, time, and context in which the pictures were taken.

Camera phone pictures are very personal. When one takes a picture with a camera phone, its main purpose is to be seen in a tiny little screen of a phone, as wallpapers, or just to remember a particular moment in time. My work, whether a painting, drawing, or photograph, takes them out of that context and exposes them to the world.


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